Description
Absalom is Donovan Quinn's fourth full - length album and his first solo work in seven years. Emerging from the 2001 psychedelic underground scene, Quinn has crafted a unique catalog. His music combines long - form metaphors, oblique arrangements, and simple song structures. A consistent lyrical story runs through diverse sonic landscapes. The album features sparse singer - songwriter pieces, outsider art piano ballads, folk - rock numbers, and baroque pop string arrangements. Quinn reunited with regular collaborators like Ben Chasny (the record mixer), Elisa Ambrogio, Jessica Roberts, Jason Quever, Michael Tapscott, and Eric Amerman. He recorded Absalom in various home and professional studios, creating a collage - like effect with different instruments and musicians for each song. The album idea originated from an abandoned 'Fan Fiction' project. This project aimed to build songs on other artists' lore and expand Quinn's original works. Demos in the vaults continue stories from Squeeze hits, Clarice Lispector's Aqua Viva, Jozef Czapski's Proust lectures, Jackson C. Frank's 'Tumble In The Wind', and the biblical Absalom story. 'Fan Fiction' was scrapped due to its limitations, but the themes of family breakdown and love in the Absalom story inspired the album. Two quotes on the LP sleeve offer a starting point to understand the album's bluesy essence.
To enjoy Absalom, simply play it on your preferred music player. Whether you're relaxing at home, commuting, or working out, this album can be a great companion. When handling the LP, make sure your hands are clean to avoid scratching the record. Store it in a cool, dry place away from direct sunlight. If you're using a digital version, keep your music player updated to ensure the best listening experience. There aren't many strict rules, just sit back, listen, and let the unique sounds and stories of Absalom wash over you.